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East: Coronation of the Virgin

Donatello (1434)
150-year-old premium chestnut carved body & Canadian roasted maple neck 6,000 hand-cut Venetian mother-of-pearl tiles Mosaic inspired by the E Eye on top and side of the body and fretboard Mosaic on back reproducing a Cathedral marble carpet 24k gold-certified coated strings Hidden fine ceramic pickup Hand-carved Exotic ebony bridge 22 frets, 24.75” scale
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North: Lamentation over Christ Taken Down from the Cross

Andrea del Castagno (1444)
150-year-old premium chestnut carved body & Canadian roasted maple neck 6,000 hand-cut Venetian mother-of-pearl tiles Mosaic inspired by the N Eye on top and side of the body and fretboard Mosaic on back reproducing a Cathedral marble carpet 24k gold-certified coated strings Hidden fine ceramic pickup Hand-carved Exotic ebony bridge 22 frets, 24.75” scale
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North-West: Nativity of Christ

Paolo Uccello (1443-1444)
150-year-old premium chestnut carved body & Canadian roasted maple neck 6,000 hand-cut Venetian mother-of-pearl tiles Mosaic inspired by the N-W Eye on top and side of the body and fretboard Mosaic on back reproducing a Cathedral marble carpet 24k gold-certified coated strings Hidden fine ceramic pickup Hand-carved Exotic ebony bridge 22 frets, 24.75” scale
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South-East: Ascension of Christ

Lorenzo Ghiberti (1443)
150-year-old premium chestnut carved body & Canadian roasted maple neck 6,000 hand-cut Venetian mother-of-pearl tiles Mosaic inspired by the S-E Eye on top and side of the body and fretboard Mosaic on back reproducing a Cathedral marble carpet 24k gold-certified coated strings Hidden fine ceramic pickup Hand-carved Exotic ebony bridge 22 frets, 24.75” scale
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South: Oration in the Garden

Lorenzo Ghiberti (1443)
150-year-old premium chestnut carved body & Canadian roasted maple neck 6,000 hand-cut Venetian mother-of-pearl tiles Mosaic inspired by the S Eye on top and side of the body and fretboard Mosaic on back reproducing a Cathedral marble carpet 24k gold-certified coated strings Hidden fine ceramic pickup Hand-carved Exotic ebony bridge 22 frets, 24.75” scale
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South-West: Presentation of Christ in the Temple

Lorenzo Ghiberti (1443)
150-year-old premium chestnut carved body & Canadian roasted maple neck 6,000 hand-cut Venetian mother-of-pearl tiles Mosaic inspired by the S-W Eye on top and side of the body and fretboard Mosaic on back reproducing a Cathedral marble carpet 24k gold-certified coated strings Hidden fine ceramic pickup Hand-carved Exotic ebony bridge 22 frets, 24.75” scale
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West: Annunciation

Ulisse Forni (1828), tribute to Paolo Uccello’s (1443-1444)
150-year-old premium chestnut carved body & Canadian roasted maple neck 6,000 hand-cut Venetian mother-of-pearl tiles Mosaic inspired by the W Eye on top and side of the body and fretboard Mosaic on back reproducing a Cathedral marble carpet 24k gold-certified coated strings Hidden fine ceramic pickup Hand-carved Exotic ebony bridge 22 frets, 24.75” scale
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Each instrument has an authenticated, certified fragment from Florence’s Cathedral within.

The Vision

A Piece of Florence

A project conceived by Fabrizio Paoletti, as a tribute to the timeless beauty and ingenuity of Florence, land of his birth and source of endless artistic influence. Inspired by the dome of the Cathedral and its iconic “eyes,” this exclusive collection merges music, art, and architecture into a lifetime experience

The Craft

Made in Italy

Each of the eight guitars is sculpted from premium aged chestnut wood and adorned with 24k gold. 6,000 Venetian mother-of-pearl inlays trace the Cathedral’s history across the fretboard, top, back, and sides, with a design inspired by the iconic Renaissance stained-glass windows of the dome, transforming each instrument into a living work of art.

A Hidden Gem

A Piece of Florence

Each guitar in this collection holds a hidden treasure — an authentic fragment from the Cathedral. This rare piece of history, embedded within every instrument, connects its owner to Florence’s legacy, preserving its timeless beauty, history, and art in a truly unique way.

Crafting a Tribute to Florence’s Cathedral